In Theatre and Its Other, Elisa Ganser revisits a telling debate on the intertwined natures of dance and dramatic acting
preserved in Abhinavagupta's eleventh-century commentary on the Nāṭyaśāstra, it reflects complex historical shifts in aesthetic theory and performance practice.
Readership: All those interested in the history of Indian dance and theatre and in Abhinavagupta's aesthetics, including scholars and students of Indology, performance, dance, and theatre studies, as well as performers.