Literary Transcendentalism Style and Vision in the American Renaissance

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Tác giả: Lawrence Buell

Ngôn ngữ: eng

ISBN-13: 978-0801407871

ISBN-13: 978-0801491528

ISBN-13: 978-1501707650

ISBN-13: 978-1501707667

ISBN: d58g-yq21

Ký hiệu phân loại:

Thông tin xuất bản: Ithaca : Cornell University Press, 2016

Mô tả vật lý: 1 electronic resource (336 p.)

Bộ sưu tập: Tài liệu truy cập mở

ID: 345118

 Broader in scope than any previous literary study of the transcendentalists, this rewarding book analyzes the theories and forms characteristic of a vital group of American writers, as well as the principles and vision underlying transcendentalism. All the movement's major literary figures and forms are considered in detail. Lawrence Buell combines intellectual history and critical explication, giving equal attention to general trends and to particular works and individuals. His chapters on conversation, religious discourse, catalog rhetoric, and literary travelogue treat intensively topics that have been relatively neglected. His analyses of Ellery Channing's poetry and the use of persona in Emerson and Very are also innovative. In the final section, he offers the first systematic account of the autobiographical tradition in transcendentalist writing. This incisive and sympathetic overview of transcendentalist writing and thought will attract readers interested in American culture, and it will suggest new critical approaches to nonfiction.
  Broader in scope than any previous literary study of the transcendentalists, this rewarding book analyzes the theories and forms characteristic of a vital group of American writers, as well as the principles and vision underlying transcendentalism. All the movement's major literary figures and forms are considered in detail. Lawrence Buell combines intellectual history and critical explication, giving equal attention to general trends and to particular works and individuals. His chapters on conversation, religious discourse, catalog rhetoric, and literary travelogue treat intensively topics that have been relatively neglected. His analyses of Ellery Channing's poetry and the use of persona in Emerson and Very are also innovative. In the final section, he offers the first systematic account of the autobiographical tradition in transcendentalist writing.This incisive and sympathetic overview of transcendentalist writing and thought will attract readers interested in American culture, and it will suggest new critical approaches to nonfiction.
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