Sound Actions Conceptualizing Musical Instruments

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Tác giả: Alexander Refsum Jensenius

Ngôn ngữ: eng

ISBN-13: 978-0262372206

ISBN-13: 978-0262544634

ISBN: mitpress/14220.001.0001

Ký hiệu phân loại:

Thông tin xuất bản: Cambridge The MIT Press 2022

Mô tả vật lý: 1 electronic resource (304 p.)

Bộ sưu tập: Tài liệu truy cập mở

ID: 372829

A techno-cognitive look at how new technologies are shaping the future of musicking. "Musicking" encapsulates both the making of and perception of music, so it includes both active and passive forms of musical engagement. But at its core, it is a relationship between actions and sounds, between human bodies and musical instruments. Viewing musicking through this lens and drawing on music cognition and music technology, Sound Actions proposes a model for understanding differences between traditional acoustic "sound makers" and new electro-acoustic "music makers." What is a musical instrument? How do new technologies change how we perform and perceive music? What happens when composers build instruments, performers write code, perceivers become producers, and instruments play themselves? The answers to these pivotal questions entail a meeting point between interactive music technology and embodied music cognition, what author Alexander Refsum Jensenius calls "embodied music technology." Moving between objective description and subjective narrative of his own musical experiences, Jensenius explores why music makes people move, how the human body can be used in musical interaction, and how new technologies allow for active musical experiences. The development of new music technologies, he demonstrates, has fundamentally changed how music is performed and perceived.
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